مشخصات پژوهش

The study of diaspora, memory, and identity has become increasingly important in contemporary literary and cultural studies, particularly in relation to societies that have experienced prolonged conflict, displacement, and political instability. Iraq represents one of the most significant cases of large-scale displacement in the twenty-first century, especially after the 2003 invasion and the subsequent cycles of war, sectarian violence, and migration. These historical transformations have generated a substantial body of literary works that reflect the experiences of exile, fragmentation, and cultural dislocation. Examining these themes in Iraqi fiction is therefore essential for understanding how literature responds to and interprets collective trauma and displacement. Furthermore, contemporary Iraqi literature remains relatively underrepresented in global literary scholarship compared with other postcolonial literatures. This study is also significant because it contributes to broader theoretical discussions in diaspora studies, trauma studies, and postcolonial theory. Iraqi fiction often challenges dominant Western frameworks of trauma and testimony by employing experimental narrative forms such as surrealism, fragmented storytelling, and hybrid literary genres. Investigating these aesthetic strategies helps expand existing theoretical models and demonstrates how Iraqi writers reshape concepts of memory, exile, and identity in ways that reflect the specific historical and cultural realities of Iraq. Finally, by bringing together writers who represent different generations and different experiences of displacement—external exile in Europe and America as well as internal estrangement within Iraq—this research provides a more comprehensive understanding of the diverse forms of diasporic consciousness in Iraqi literature. In doing so, the study not only enriches the field of Middle Eastern literary studies but also contributes to global discussions about literature’s