مشخصات پژوهش

The process of adapting literary works into visual media offers a rich area for academic exploration. This thesis examines how Mike Flanagan’s miniseries adaptation of Edgar Allan Poe's “The Fall of the House of Usher” aligns with Linda Hutcheon’s Theory of Adaptation. The research investigates the miniseries’ adherence to Poe's original narrative, the use of transmedial storytelling techniques, and the intertextual connections that blend Gothic literature with contemporary visual narratives. This study aims to reveal how Flanagan’s adaptation maintains the haunting qualities of Poe’s Gothicism while introducing new interpretative layers. By doing so, it explores the intricate balance between fidelity to the source material and the creative liberties taken to establish a unique artistic expression. Ultimately, this analysis seeks to enhance the understanding of .adaptation theory as proposed by Linda Hutcheon, emphasizing the dynamic and evolving dialogue between literature and film